A Nigerian single-mother living in America receives a revelation from her Pastor in Nigeria that her loving son Segun, a Doctor will father twin boys but in order for the revelation to come to fruition Segun must find a wife immediately. Feeling pressured by his Mother, Segun introduces different women to his mother, however, none are welcomed by her. On the other side of the grass, a Caribbean girl called Antoinette migrates to America to live with her African-American mother to pursue a career in acting. Antoinette's mother desperately wants her to find a boyfriend but warns her to never ever date a Nigerian. The two worlds collide when Segun falls head over heels for Antoinette; he asks her to pretend to be a Nigerian so that his mother would like her but through a series of events both families discover that they are closer than they imagined.

A story about two lifelong criminals who maneuver through the shady underbelly of Los Angeles in search of wealth, love and redemption.

After overcoming a tough start to life, Curtis James Jackson III went on to become a wildly successful rapper, producer, actor, and entrepreneur.

The writers are on strike and Scrooge is not giving up a penny, until he is visited by three Hollywood spirits!

Can't Lose is a 2011 South Korean romantic comedy television series, starring Choi Ji-woo and Yoon Sang-hyun, who play two bickering, married divorce lawyers who take out their frustrations on each other in and out of the courtroom. It aired on MBC from August 24 to October 20, 2011 on Wednesdays and Thursdays at 21:55 for 18 episodes.It is a remake of the 2008 Japanese drama The Sasaki Couple's Merciless Battle.

The DVD documents the making of the songs and albums by 50 Cent, especially his Get Rich or Die Tryin' album released that year. Some of the footage featured on The New Breed was from the Get Rich or Die Tryin' documentary that was in the limited release of his first album. The DVD charted at number two in the US and sold over 645,000 units as of December 2003

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

5-cent American Flag takes a forensic approach to the conspiracy-fueled events of JFK’s assassination, creating an abstract cryptopolitical thriller that begs the question: which flags are we flying? More than 4,800 unique 5-cent American postage stamps from 1963 anxiously flutter across the screen, each bearing unique cancellation marks and slogans that become coded messages. The stamps were animated frame by frame over the distorted airwaves from a Gray Audograph recording of Dallas Police Department Presidential Motorcade communications on November 22, 1963, used by the FBI for acoustic gunshot analysis to determine the position of the shooter and the amount of gunshots. When words are absent on the soundtrack, custom-created rubber stamps applied to clear leader form black-inked cancellation marks that become enigmatic air waves, and red-inked U.S. flags are stamped and folded into the reel after the fatal gunshot(s) is heard on the tape, transforming into pareidolic bloodstain patterns that flood the screen.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.